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Multimedia in Worship
By: Mike Skorick, Martin Starnes & Jay Leek The topic of discussion in many houses of worship today is whether or not it is time to update the technology we use for worship service. Oftentimes, when we form a committee and start to decide what we need, many questions arise. So, let's get started and tackle the most common issues regarding multimedia technology in church. How can we use technology in our church? Technology, when used properly, is a wonderful worship enhancement tool. It has been our experience, through installs all around the United States , that churches that are willing to embrace technology are growing, while the opposite is true for those that choose not to. Do we really need projection? * Would projection help the younger generation to learn? * Would projection help spread information for visitors? * Would projection allow a visitor without a Bible to see verses? * Would projection allow us to show pictures of all new members, so existing members could seek them out after service to welcome them? * Would projection help enhance our song service? These questions may help you in deciding if projection is right for you. Remember, God used, and still uses, visual aids. What would you consider the burning bush to be? How much will it cost? Who do we contact for help with design and installation? Finding a systems integrator who can also upgrade your sound system will allow you to use one company for all of your technology needs. As important as multimedia projection is, it is also critical for your congregation to hear the service clearly no matter where they are in the room. You can spend thousands of dollars on your technology, but if you do not know how to use it properly, you have wasted the church's money, so make sure training is included in the bid. Do we have to learn special software to use this equipment? Will it change the look of our sanctuary or auditorium? Will it change the way we worship? With multimedia technology, you will be able to have the announcements on the screen before and after services. You will be able to have class schedules and other information for visitors. Just think of the avenue of ministry we open up to those who do not feel comfortable leading a song or prayer but have a real talent with computers. So, yes, we do feel that it will change the way you worship by giving you more tools to reach out to the lost. Do we need more than one screen? How large of a screen do we need? How bright is bright enough for a projector? How long will it take? As you can see, deciding to add video projection to your worship service can be a difficult task, but it can also be a tremendous blessing to your church. Consider the generational aspect of multimedia projection for your church. While it may not be as necessary for the older generation, it is essential for younger generations. It is our sincere hope that the information we have shared with you will help in the process of choosing what is right for you. Mike Skorick is owner/partner, Martin Starnes is owner/partner, and Jay Leek is collaboration and communication consultant of Four J Pro Sound & AV, www.fourj.com . Sidebar 1 HD is finally everywhere you look. Every electronics store is pushing HDTVs more than standard TVs, and some of them advertise HD exclusively. Peruse any of the ads for projectors, digital displays, or cameras, and you'll see the same thing. HD is officially all the rage, and there is no question that everything will be HD in the future. Widescreen is another concept popping up without a lot of explanation. Outside the world of projection, you're most likely to see it on DVD movies offered in both widescreen and full screen. Many people assume that widescreen and HD are the same thing, but they are not. HDTVs are always widescreen, but when it comes to projectors and cameras, HD and widescreen aren't always synonymous. Put simply, widescreen describes the shape of your image, while HD or SD describes the quality. Widescreen projectors, displays and non-cinematic cameras are generally 16 units wide for every 9 units high (16:9). Their SD counterparts are 4 units wide for every 3 units high (4:3). HD and SD basically means that there are more pixels or lines within the shape to give your picture more quality. You may have heard numbers like 1080 or 720 thrown around to describe HD. Those numbers tell you how many dots or lines run from top to bottom, and the more, the merrier. By comparison, standard definition is only 480 or 525 lines. The potential for confusion comes when you have an SD product with a widescreen or 16:9 mode. Manufacturers are still producing SD projectors and cameras, and dealers are still marketing them. Almost all of these products have a 16:9 or widescreen mode. In essence, this mode works the same way as if you were to put black tape on the top and bottom of the lens. It merely changes the shape without adding any quality. In fact, with projectors, you are actually losing some of the effective brightness, since some of the lamp's power is being blocked on the way out. While this is a bad thing if you don't know what you're getting into, churches looking to upgrade incrementally can use this to their advantage. The ideal situation, if you have the budget, is to make a complete switch to HD and get rid of all your SD switchers, projectors, cameras and displays. Who among us wouldn't want to do that? But wanting to and being able to are rarely the same. If you know you want to go to widescreen HD in the future, there are some things you can do today. If your projector already has a 16:9 mode, you can purchase 16:9 screens now and upgrade everything else later. You will lose some brightness until you can upgrade, but your screens will at least appear to match everything else in the world. You'll also have to take note of how your 4:3 content will look on the screen. In 16:9 mode, your projector will stretch everything. For abstract graphics, this isn't a big deal, but pictures and video of identifiable objects and people will look flatter and wider. It may take some work to get your DVD player or computer to display them properly. (For example, adding vertical black bars to the sides of the image is one way to overcome this.) If you have an older projector without a 16:9 mode, you can probably pick one up for a much lower price than you could a couple years ago. Since you can also get more brightness for your buck than the last time you bought a projector, you might even be able to find one bright enough to compensate for the loss inherent in 16:9 mode. Whatever you do, talk to a professional who can help you navigate the HD/widescreen waters. A qualified professional will take time to understand your needs both now and in the future and explain the long-term implications of your buying decisions. Look for one who can rent a 16:9 screen to you to test your plans before you buy one. Knowing what you are getting will keep you from facing technical and budgetary surprises down the road. This information is courtesy of Fowler Productions, www.fowlerinc.com . Sidebar 2 One of the most popular and effective uses of video loops is to project them behind song lyrics. Let's assume you already have the computer hardware and software to pull this off. We'll focus on what makes combining video backgrounds and song lyrics compelling. Do this right, and you'll have the congregation's eyes locked to the screen until the last verse is sung. First, choose an attractive video background that matches the message, tempo or mood of the song. When matching the message, find a background that contains a symbol or image of that message. For example, when using the song "The Old Rugged Cross," choose a background that includes a cross. "Rock of Ages" lyrics would match up well with mountain video footage. Beautiful, awe-inspiring nature footage is always appropriate when singing songs like "Amazing Grace" or "How Great Thou Art." Another way to effectively combine your video loops to lyrics is to focus on the tempo or mood of the song. If the song is a fast tempo, contemporary song, choose an energetic and lively video loop. On the other hand, a traditional song calls for a slow moving, subtle video background. Second, choose text that is easy to read when projected. Style, size, and color are the main factors to consider. When choosing the style, san serif fonts like Arial or Helvetica are perfect for projection. Serif fonts are more difficult to read on the big screen. Also, avoid using italicized text for the same reason. Once you pick a style, use it throughout the song. Consistency will keep your congregation engaged. Changing the style in the middle of the song can be distracting. The size of the text is another important factor in legibility. Always use a font size 24 or higher. Any smaller and your congregation will have to strain to see it. Finally, use color to create contrast between the song lyrics and the video background. Use dark text on a light background and light text on a dark background. In our increasingly visual society, images and symbols have become more powerful than words alone. You have an opportunity to enrich the worship experience of your church. Combine moving backgrounds and song lyrics properly, and you'll keep them singing. Diana Teeters founded TriLab Productions, the home of Digital Hotcakes, www.digitalhotcakes.com . Trilab Productions currently offers a 12-volume library of video loops specifically designed for the worship environment. Product Roundup Panasonic D5700 Projector Multimedia Computer Lectern from Amplivox FaithClipart.com Fowler Productions Hitachi Software FX Series Interactive Whiteboards Sports Series from TriLab Productions Mitsubishi XD470U Seamless Screens from The Screen Works Christie LX1500 |
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